I am currently interested in creating short visual performances in one take. I am curious to see what happens when I position myself in front of the camera with a fairly empty mind, knowing that I am not going to allow myself to edit the visuals afterwards. I am especially interested in allowing myself to create work that potentially might be vulnerable or uncomfortable or embarrassing, either for me or for you as a viewer. I also believe strongly in working with whatever I have available to me and not getting blocked by materialistic absences and desires. Yes a better camera would be great etc etc, but I can't afford one right now, so I just get on with what I have got. My "Face Concerto number 2" was created on tuesday 19 september 2006, in my flat in Hackney, East London.I am currently interested in creating short visual performances in one take. I am curious to see what happens when I position myself in fron...all »I am currently interested in creating short visual performances in one take. I am curious to see what happens when I position myself in front of the camera with a fairly empty mind, knowing that I am not going to allow myself to edit the visuals afterwards. I am especially interested in allowing myself to create work that potentially might be vulnerable or uncomfortable or embarrassing, either for me or for you as a viewer. I also believe strongly in working with whatever I have available to me and not getting blocked by materialistic absences and desires. Yes a better camera would be great etc etc, but I can't afford one right now, so I just get on with what I have got. My "Face Concerto number 2" was created on tuesday 19 september 2006, in my flat in Hackney, East London.«
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